Tue. Jan 18th, 2022

Where did we go? Others live before their own internet? “It was a reality before,” said director Mamoru Hosoda. His new picture, Sand, About how the Internet has introduced the possibility of multiple souls in multiple worlds. Released in the United States on Friday, Sand Suzu follows Nitto when he’s in the Virtual World U.S. Fighting for a new reputation online as a pop star, Hosoda notes, “People can explore other possibilities. They can change their ego and live more independently.” Which, of course, made the video an overnight sensation.

In U’s wide digital cityscape, Suzu is amazed at the appearance of her bell, a bright, pink-haired beacon. U’s technology automatically creates avatars based on users’ biometric information. Suzuki, who gave up singing after her mother left, sees the power of greatness This is an interesting idea – that a mysterious virtual world created by anonymous sages could recreate an ordinary girl as an idol. And because it only works Sand Concerned neo-hippies and their global warming, i’ll tell ya.

Hosoda, who also conducted Mirai, Baby wolf, And Summer War, Has taken the Internet as the subject of his anime films since 2002 Digiman: Movies. His obsession with the virtual is a place where our other people appear to fit neatly into one of the most influential modern genres of anime: Isekai. The best embodiment of 2012 Sword Art Online, Isekai describes the transformation of characters and the rebirth of other worlds, especially virtual ones, where they gain self-realization. “When I look at other managers who work on Internet themes, it’s a kind of negativity, like a dystopia,” Hosoda said. “But I always see the Internet as something for the younger generation to explore and create new worlds. And I still, to this day, accept it on the Internet. So it’s always optimistic. “

I’m watching Sand, It is easy to fall into that optimism. It is visually stunning, its rural landscape and a digital megalopolis are both tight with a staggering number of pixels. Sometimes, Hosadar is a bit overwhelmed to see the film. A huge flying whale, petals and confetti filled the sky for Bell’s diva debut. In her first concert, she appeared as the neck of a story-tall crystal chandelier, which exploded into a glowing underwater constellation. At several points in the movie, Hosoda enchants the early works in high-stack animations that illustrate their true emotional impact – such as the gossip battle in a high-stakes strategy board game. Hosoda pacifies these irresistible scenes with Suzu’s comfortable, low-fi slice-of-life moments of rural life.

In fact, SandIts most charming moments occur in the analog world (probably with the best love confession scene in the anime). Getting to and from Suzhou’s school, across the same bridge and on the same train, where we learn more about who she is alone, not in the UK. When we first hear her sing in tension, we see her pine above a childhood friend. Much of her character development in the virtual world makes her character development feel isolated from the IRL. Suju isolates herself from family, community, potential friends, and love interest until everyone is brought together by Bell, a metaphor for Suju that they all already love নয় not a diva, just a country girl who loves to sing.

In contrast, Suzhou In You immediately feels completely and utterly comfortable in her new role as an international pop sensation. She sings, she dances, she shuffles clothes in the style of Ariana Grande. And he decides that he’s ready to sing “The Beast” alone, another player who is considered ungodly horrible. Where is this brave new Suju in the real world?


It can be seen on this content site Is the origin From

Bouncing between IRL and U, each with a different plot and love interest, Sand Like two or three different movies. Of these, its virtual world component is the weakest. Expanding to include many themes and spaces and things, Sand It only skims the surface of the most enveloping concepts-especially its message of online empathy and the possibility of human connection.

Hosoda tells Wired that she “doesn’t have a specific virtual world that I modeled after U.” In fact, an architect from London, not a game designer, helped him design it. U is completely limited, without any clear purpose, design policy or topology. It’s a completely uncontrollable, self-employed policeman who has acquired the technology to dock avatars at will. And although we know that users access the U using earbud technology that taps into “the part of the brain that controls vision”, according to Hosadar, it’s impossible to understand when the letters are in and out of the U and under what circumstances they go. There

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