Wed. Oct 20th, 2021

Osinachi – a Nigerian digital artist who also created his own cryptocurrency called Osina – will be the first Afrikaans artist to auction non-fungal tokens through Christie’s and in collaboration with the 1-54 Afrikaans art exchange. Five of Osinachi’s works, depicting a 1972 David Hockney pool painting, are estimated at between £ 40,000 and £ 60,000 each in an online sale (October 5-19).

The works – which can also be bought with ether or bitcoin – mainly address imbalances between work and life, but also have a black protagonist, something that is ‘very important for his highly personal work’, says Isabel Millar, a Christie -specialist.

The 29-year-old Osinachi, whose full name is Prince Jacon Osinachi Igwe, creates detailed digital works using Microsoft Office, an extremely basic application in a high-tech field. Earlier this year, he sold three NFTs in just ten days for the equivalent of $ 75,000. “NFTs have given him an excellent platform and such visibility,” says Millar. Christie’s will show the works on screens this year 1-54 London Fair (October 14-17).

‘Earthrise’ (1968), taken during Nasa’s Apollo 8 mission

Specialists at the rare bookstore Peter Harrington has compiled an in-depth collection for Frieze Masters it shows how climate change is not just a contemporary concern. The 800-plus items comprise a 1485 printed book on weather forecasting to the Nasa-stamped first color photograph of the Earth taken during the lunar orbit of Apollo 8 (“Earthrise”, 1968).

The first article applying the ‘greenhouse’ metaphor to global warming – published in 1899 by the Swedish scientist Nils Gustaf Ekholm – and an engraved portrait of Alexander von Humboldt, an early observer of the human impact on the environment, are also included. . A 2002 print by Banksy, featuring characters from Disney’s The Jungle Book in a ruined forest and made for Greenpeace, is also in the collection — it can be seen in the London Gallery as it was made after the cut-off date of the Frieze Masters.

The price of the collection is £ 1.65 million, with 10 per cent of the proceeds going to the World Land Trust charity, confirms gallery owner Pom Harrington. ‘This is a very visual, comprehensive and outstanding history of climate change. It can go straight into any museum, ”he says.

Wolfgang Tillmans’ ‘Lignin duress (d)’ (2014), offered for $ 95,000 to support the Gallery Climate Coalition © Wolfgang Tillmans / Maureen Paley, London / Hove

At the coincidence Fresh London fairly, organizers have given a stand to the Gallery Climate Coalition, an organization launched in October 2020 and now boasting 556 members. In addition to answering questions about exhibitors and visitors, the GCC also donated a photo in a single issue by Wolfgang Tillmans and his gallery owner Maureen Paley. ‘Lignin duress (d)’ (2014) costs $ 95,000 and is listed on the stock exchange to support the GCC.

Hannah Starkey’s ‘Untitled, September 2006’ © Tanya Bonakdar Gallery, New York / Los Angeles / Maureen Paley, London

Mark Fehrs Haukohl, a Houston based resident investment banker and art collector, donated 200 photographs by 90 European female artists jointly to the Brooklyn Museum in New York and the Los Angeles County Museum of Art. Contemporary artists in the collection include Yto Barrada, Hannah Starkey and Sarah Pickering. The institutions attach no value to Haukohl’s gift, but note that it also includes a research and travel scholarship for a curator to visit art scholarships and biennial visits to Europe to expand their respective collections in the area. This event is ‘even more exciting’ than the works, says Michael Govan, director of Lacma.

This is the first time that the two institutions have joined forces to achieve this size. Anne Pasternak, director of the Brooklyn Museum, says this is a sign of new models following the ‘sharp financial realities exacerbated by the Covid-19 pandemic’.

The first show from the collection focuses on work made since 2000 and opens on November 14 in Lacma. In the now: gender and nation in Europe then travel to the Brooklyn Museum in 2023.

Inside the new David Kordansky Gallery in Chelsea, New York © David Kordansky Gallery

Stalwart Los Angeles Gallery David Kordansky has confirmed rumors that he is expanding his business to New York for the first time. In April 2022, he has to open a space on the ground floor in Chelsea’s West 20th Street, where neighbors include Jack Shainman Gallery and David Zwirner. “There’s a lot of electricity to New York,” says Kordansky. The gallery has hired Anna Fisher, former director of sales at Victoria Miro Gallery, who will start as director of Kordansky in New York next week.

Kordansky says the move was partly caused by his artists, who he says deserve to be seen in the world’s largest art market center – he calls the institutionally award-winning Andrea Büttner – and by its customers in and around the Big Apple. ‘They have been asking us for years when we are going to the next phase. It’s time, ”says Kordansky.

He’s going to bring a bit of LA to NY from the beginning – the opening show is by Lauren Halsey, who he describes as ‘one of the most important LA artists of her generation’.

The ‘Portrait of Vanessa Bell’ by Duncan Grant (c1915-16) © Philip Mold & Company

There is a renewed enthusiasm for English-speaking Bloomsbury group artists, including Roger Fry, Duncan Grant and Vanessa Bell. London dealer Philip Mold recently opened a show dedicated to the magnetism of Charleston, a farmhouse in Sussex where Bell, Grant and their various loved ones pulled off during World War I (Charleston: The Bloomsbury Muse, until 10 November). A casual exhibit in Charleston itself shows Grant’s avant-garde works, many of which appeared at the artist’s first London performance in 1920 (until 13 March 2022).

“Their unusual love triangles and philosophies have helped ensure that an almost mythical plot surrounds the Bloomsbury group and that there have been a number of new collectors over the past 12 to 18 months,” said Brett Tryner, director of the Cambridge auction house Cheffins .

He notes recent records for Fry, whose portrait of author EM Forster (c1911-20), estimated to have sold between £ 30,000 and £ 50,000, last year for £ 325,062 (Bonhams), and for Bell, whose “Autumn” Bouquet “(1912) sold for £ 256,250 in March (about £ 25,000- £ 35,000, Christie’s).

On 28 October, Cheffins Fry’s paintings “Mountains in Venice” (1926, £ 6,000- £ 8,000) and two nude studies by Grant (£ 600- £ 800, compiled). The latter once belonged to Angelica Garnett, Bell and Grant’s illegitimate daughter, who was born in Charleston in 1918 and died in 2012.

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