Thu. Jan 20th, 2022

Whenever someone asks “which is the best microphone” the answer is usually “well it depends on what you are recording.” Road’s new VideoMic Go II, as the name implies, will not be suitable for podcasting. Will it be?

Quite frankly, the VideoMic Go II was designed to sit on top of a camera. That’s just a fact, but with USB and 3.5mm output and compatible Road Connect – The company’s USB-friendly podcasting app – this lightweight, $ 99 mic can be more versatile than it first seems.

If you Is Looking for a mic for your DSLR, be aware that the VideoMic Go II has a cold shoe mount, the above 3.5mm out (which can also be used for monitoring) and it is bundled with a Raicot shock mount and a windscreen in the box. It’s 6 There is no secondary / safety / stereo recording or on-mic gain control, but this is normal within this price range.

In terms of performance, the word doesn’t sound too “dead”, so it’s amazingly rich for a mic of this size. There is no significant difference in the audio output from the USB port compared to the 3.5mm port bar. When comparing RoadMic Me and VideoMic NTG on the road, VideoMic Go II is probably my favorite. It’s normal to focus with just the right amount of ambience / space sense.

Where VideoMic Go II is more interesting is how it performs Others In case of use. The VideoMic Go II sounds as powerful as a more expensive dynamic microphone when plugged into a computer and placed on a desk. So much so that it threw me for a moment.

Probably the best example of this is when I tested it against 400 Shure SM7B And Rode’s own $ 99 NT USB Mini. Given that the two rod condenser microphones and the price are almost the same in this test, you would think that these two would be closely matched, but it turns out that VideoMic Go II is being heard. A lot Near SM7B. Needless to say it’s as good as the SM7B (Sure has a bit more depth and perhaps more dynamic range touched) but it certainly wasn’t as expected due to price differences.

This match is further complicated when you consider that different types of capsules – Rod condenser vs. Shur dynamic – alone usually give them a very different sound. You can hear three microphones in the sample below. It starts with Shuru, then VideoMic Go II and then NT Mini. The change between the first two is subtle, yet the latter is obvious. Oh, and the VideoMic Go II was about two inches away from my face, the SM7B.

Of course, this is only an experiment, a scene in a certain room. But for a quick comparison of what a $ 400 mic cuff can turn off compared to a $ 99 one, this is a good starting point. Despite the lack of on-device control, there are some configurable options through Road Central. When connected to the app (mobile or desktop) you will have the option to change the level of profit, apply a high pass filter / high-frequency boost and adjust the monitoring volume. It’s less convenient than physical on-mic controls, but it still gives you some control over how it sounds or responds to different inputs. (If you’re wondering, the audio above starts with SM7B and switches to “two condenser microphones” on VideoMic Go II).

Given that Rode has added compatibility for connectivity, and the USB option makes it phone and tablet-friendly, VideoMic Go II could suddenly be a very good all-rounder for the price. A mic has a video chop but it can also do double duty as a podcast mic (and therefore an all-purpose computer mic) which really takes a lot of push for the buck.

Of course, if you really need something that records a security channel, has physically variable gain control, or if an XLR connection is required, you don’t have to go for it. But most use for the common creator? It may end up “not depending on what you’re recording”.

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